TVLogic F-7HS 7″ High Luminance LCD Field Monitor

TVLogic F-7HS 7″ High Luminance LCD Field Monitor

F-7H : 7” FHD HDR Field Monitor with Enhanced Sharpness
The F-7H is a 7-inch field Full HD resolution(1920×1080) production monitor with ultra-high luminance of 3,600nit. The F-7H provides SDI <-> HDMI cross conversion with 1 SDI input, 1 SDI output, 1HDMI input and 1 HDMI output interfaces. It also supports all the professional features such as Waveform & Vectorscope, Audio Level Meters, Focus Assist, Range Error, Time Code Display, various Aspect Ratio and Makers, 3D LUT import, Camera Logs and HDR emulation including HDR EOTFs of PQ, HLG and SLog3.

HDR Emulation
A true HDR monitor must employ a special display panel with high dynamic range and a wide color gamut, along with being calibrated for PQ and HLG. For example, the LUM-310X (dual layer LCD system) and LUM-310R (LCD with local dimming backlight system) are capable of reproducing a peak luminance of 1,000 nit and 2,000 nit respectively, and a contrast ratio of 1,000,000 : 1; in addition, they cover 99% of the DCI color gamut.

HDR Emulation (Enable)
Other monitor utilizing displays with normal luminace range from 0.1nit up to 400nit or high luminance monitor with up to 2000nit with variable black level (0.1 ~ 1.5nit) is defined as ‘HDR Emulation monitor’ in TVLogic although they have HDR EOTF and related functions. Below is a simple example for your reference.

1:1 Pixel Mapping Modes for SD/HD
Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.

Anamorphic Desqueeze
Supports several formats and resolutions that are ideally suited for anamorphic lenses and aspect ratios. When shooting anamorphic the image you are monitoring is an “unsqueezed” preview of what’s actually being recorded.

ARRI Alexa Camera Metadata over SDI
Takes the Metadata from the ARRI ALEXA is transported through the SDI outputs of the camera, and displays it on the monitor.

Audio Level Meter Display
Displays the level of the embedded sound signal together with the video signal input through the terminal such as SDI or HDMI.

Blue Only / Mono
Red and Green channels are not used and only Blue or Monochrome channel is used to display the screen. This function is used to adjust the color tones (tones and saturation) of the screen using the SMPTE Color Bar. For example, after displaying the Blue channel, adjust the Color (or Saturation) and Tint (or Hue) so that the original Magenta and Cyan are of the same brightness, and the original Gray and Blue are of the same brightness.

Camera Lut.
Applies the LUTs to the outbound Log signal. A LUT for every major camera manufacturer has been included(LOG-C, C-LOG, S-LOG 1,2,3 and RED Gamma 3,4).

Custom 3D LUT Import
Allows you to load your making 3D-LUT files at NLE software like Davinci Resolve by USB flash memory and displays your LUT on VFM-055A or F-7H. Once you synchronize LUTs in the monitor, you will easily change them on production.

Focus Assist
Assigns a color to the pixels on the boundaries of the image to inform the user to achieve the best focus. With this function, user can easily differentiate the focused area from out-focused area especially when shooting with a shallow depth of field.

H/V Delay
Allows you to check the Blanking area and synchronize signals by displaying the horizontal and vertical intervals in the center of the screen.

H/V Flip
Allows the displayed image to be flipped horizontally or vertically. This feature provides flexible mounting options for camera operators.

Key Lock
Key Lock is a password-protection function of the OSD menu so that non-authorized users cannot change the setting of the monitor.

Luma(Y’) Zone Check
Displays the Luma(Y’) level of the input image in colors. Each pixel’s Y’ analyzed and changed to a certain color or zebra pattern according to the Index on the right side of the screen.

Marker
Displays various kinds of aspect ratios on the screen. Wide range of markers and security areas are available with line color and curtain transparency selection. A User Marker is available if any of standard markers fits your requirements.

Max Brightness On/Off
Displays the brightness increases from the normal up to max brightness to obtain a sharp and bright image when shooting outdoors.

Range Error
Analyzes the input signal’s Luma (Y’) and chroma (C’) information. If the input signal exceeds the designated minimum and maximum values, the pixel will blink. This function allows for the user to easily identify any issues

Sleep Mode
Sets the LUMINANCE to the minimum value when the time set in the still image output is exceeded.

Split Zoom
Zooms the specified area sequentially.

Time Code Display
Displays the Timecode information on the screen.

User Aspect
Adjusts the Width /Height display ratio.

Various Scan Modes
Controls the size of the image. Overscan: Extra area around the four edges of the image that may not be seen reliably by the viewer. Underscan: Constrains the size of the image so the monitor shows everything the camera is seeing. 1:1 pixel: Displays the original image resolution without scaling to match a certain resolution or an aspect ratio.

Waveform/Vector Scope
Waveform Y: Displays the Luma(Y’), Cb, Cr component of the input signal into waveform.
Vector Scope: Displays the color components ‘B-Y’ and ‘R-Y’of the input signals onto the X-Y axis.

Zoom
Magnifies the input signal from 0% to 90%.

Specifications

Display Spec

Size	7″
Resolution	1920 X 1080 (16 : 9)
Pixel Pitch	0.078(H) X 0.078(V)mm
Color Depth	16.7M
Viewing Angle	160°(H) / 160°(V)
Luminance	3,600cd/m2
Contrast Ratio	1200:1
Display Area	151.2(H) × 94.5(V) mm

Input

1 X BNC	3G-SDI Input
1 X HDMI	HDMI Input

Output

1 X BNC	3G-SDI Output
1 X HDMI	HDMI Output

Input Signal

3G SDI	2.970Gb/s
HD SDI	1.485Gbps
SD SDI	270Mbps
HDMI	1080p (24/25/30/50/60)/1080i(50/60)/720p(50/60)/ 480i(60)/480p(60)/576i(50)/576p(50) & VESA/IBM Modes

SDI Input Signal Formats

SMPTE 425M-A/B	1080p (60/59.94/50/30/29.97/25/24/23.98/30sF /29.97sF/25sF/24sF/23.98sF) / 1080i(60/59.94/50)
SMPTE 296	720p (60/59.94/50)
SMPTE 274	1080i (60/59.94/50) 1080p (30/29.97/25/24/24sF/23.98/23.98sF)
SMPTE 260	1035i (60/59.94)
SMPTE 125	480i (59.94)
ITU-R BT.656	576i (50)
2K Format	2048 x 1080p (24/24sF/23.98/23.98sF)

Audio

Audio In	Embedded Audio
Audio Out	Analog Stereo (Phone Jack)

FPGA Functions

,  3G-SDI Level A/B,  Audio Level Meter Display,  Blue Only,  Focus Assist,  H/V Delay,  H/V Flip,  Key Lock,  Luma(Y’) Zone Check,  Marker,  Max Brightness On/Off,  Mono,  Range Error,  Time Code Display,  User Aspect,  Various Scan Modes,  Waveform/Vector,  Zoom,  Camera Lut.,  Arri Camera Metadata

Calibration

, 3D LUT & Adjustable Gamma, 3rd Party 3D LUT Import

Other Functions

USB	Firmware update by USB memory stick
Ethernet

Options

Battery Bracket, HDMI Bracket,  Camera Mount, Ball Head,  Carrying Case,  D-Tap Cable,  External Acrylic Filter,  Gold Mount,  Sun Hood,  L-Type BNC Connector ,  V-Mount