Sony FX6 Full-Frame Cinema Camera (Body Only)

Sony FX6 Full-Frame Cinema Camera (Body Only)

Capture the impossible with expanded ISO sensitivity
Capture usable images in near-total darkness with an impressive ISO expanded range up to 409600. The full-frame sensor coupled with innovative light gathering ensures limitless shooting possibilities.

Stunning bokeh and full-frame creativity
Realise beautiful 4K imagery with the creative freedom made possible by a full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look.

Cinematic colour science with S-Cinetone™
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX6. Precisely tuned to meet the requirements of today’s content creators with rich colour and natural skin tones, it produces fresh and vivid images straight out of camera without grading, while retaining plenty of latitude for post production.

Large pixels deliver high sensitivity and low noise
The full-frame, back-illuminated, 10.2-megapixel Exmor R™ CMOS image sensor offers impressive light-gathering capability. Fast readout speeds and a dynamic range of 15+ stops deliver superb image quality with wide sensitivity and reduced noise.

Powerful BIONZ XRTM image processor
The BIONZ XR image processing engine matches the sensor’s high-speed readout with enormous processing power. Built with a future-oriented architecture, it delivers high-quality images faster and dramatically improves camera interface responsiveness.

Impressive dynamic range for limitless expression
At its base sensitivity of ISO 800, the FX6 offers optimal dynamic range for well-lit interiors and outdoor documentary shooting. An enhanced ISO 12800 sensitivity is designed for challenging low-light, morning and evening shots. The FX6 offers an exceptional 15+ stops of dynamic range—beyond the perception of even the human eye in many conditions—allowing for unprecedented creative freedom in colour grading and post.

Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).

Real-time Eye AF and Face Detection supported
Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.

Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing.

Lens-ring AF subject selection
When the AF Assist function is ON, rotating the focus ring instantly switches from auto focus to manual focus so that a different subject can be quickly selected. Auto focus operation resumes as soon as the user stops rotating the lens focus ring.

Auto focus area/position
For auto focus, you can set the target area among Flexible Spot, Zone and Wide, and change the position of the target area quickly during shooting by simply touching the LCD monitor.

4K 120fps with every frame in focus
High Frame Rate shots can turn everyday action into a visual feast of elegant movement. The FX6 captures up to 120 frames per second (fps) at the 4K (QFHD) resolution. Slow and Quick (S&Q) modes give you full control over the captured frame rate from 1 to 120fps, allowing precise motion narratives and up to a beautiful 5x Super Slow Motion (24fps output).

Auto focus with Sony E-mount lenses
Experience smooth, responsive autofocus with Sony E-mount lenses, with premium optical performance and operability for exacting cinematography applications. Unique actuator technology in Sony E-mount lenses provides faster and more precise AF performance, supporting your creative endeavours.

Built-in electronic Variable ND Filter
The FX6 features Sony’s unique built-in electronic variable neutral density (ND) filter. Unlike conventional optical ND filters, the electronic ND filter on the FX6 can be controlled linearly from 1/4ND to 1/128ND, or set to auto. Ideal in changeable environments, there’s no need to change filters as lighting conditions change or to maintain your depth of field.

Lightweight, modular and robust
Despite its amazingly light 0.89 kg body, the magnesium-alloy FX6 is more than tough enough for the rigours of real-world shooting. A detachable Smart Grip puts key functions at your fingertips and is easily adjustable with a single button.

Grab-and-shoot mobility
Ideal for low angle shooting, the smart handle is part of the FX6’s modular design. It’s easy to reconfigure for any application, including mounting in a gimbal, drone or underwater housing.

Magnesium body and frame for high durability with light weight
To perform reliably in challenging environments, the main body, covers and top handle are made from a production-tested, lightweight magnesium alloy. The main frame achieves high strength and durability with minimum weight in order to maximise mobility.

Architecture to prevent thermal shut down
The custom ventilation system and chassis design help to prevent the thermal shut down of shooting at high frame rates and 4K (QFHD) resolution. The number of heat sinks, the shape of air intakes and exhaust vents, as well as the location of the low-noise fan and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.

10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.

All-Intra encoding available
As well as Long GOP, internal All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motion more accurately and allow more efficient editing workflows.
[1] All-Intra (All-I) [2] Long GOP [3] Group of Pictures

16-bit RAW SDI output
For demanding post-production workflows, 16-bit RAW output is available via SDI connection to compatible external recorders while XAVC-I files are simultaneously captured in-camera. RAW video output is 4096 x 2160 or 3840 x 2160 data from the image sensor with a choice of 59.94 / 50 / 29.97 / 25 / 24 / 23.98 frame rates.

Shooting modes that match creator workflows
The FX6 offers shooting modes with preset looks like S-Cinetone that produce great-looking shots in-camera, or S-Log3/S-Gamut3 with Cine-EI mode that capture perfectly exposed images for post production.

Scene File function allows easy look changes on-site
Four preset-scene file types are available for SDR shooting (S-Cinetone, Standard, Still, ITU709) and two for HDR (HLG Live, HLG Natural), plus 16 slots for imported user 3D LUTs, for your preferred look without post production.

Remarkable smart grip and smart handle
Sony’s ergonomic Smart Grip and Smart Handle feature easy one-button adjustment. With zoom, record and assignable control buttons, as well as a dial suitable for iris control, you can comfortably operate for hours.

Professional connectivity
A wide range of professional interfaces is available, including 12G-SDI and HDMI outputs, a remote interface, TC connectors for multi-camera sync and SuperSpeed USB 5 Gbps (USB 3.2) to support fluid data workflows.

Multi-Interface (MI) Shoe
Sony’s Multi-Interface (MI) Shoe provides power, signal and switching connections to compatible Sony accessories, including wireless microphone systems such as the UWP-D21 or UWP-D22.

Support for four-channel audio input and recording
Four-channel audio input allows simultaneous capture of external microphones and the built-in microphone. UWP wireless microphones or XLR audio adaptors such as the XLR-K3M can also be used with the MI Shoe.

Dual XLR inputs and enhanced audio capability
The handle of the FX6 has two independent audio inputs, easy-access XLR connectors to connect external professional microphones. UWP series wireless microphones may also be connected via the MI Shoe.

High-definition 2.76 million-dot13 flexible LCD panel
The 3.5 LCD screen allows precise manual focusing in challenging shooting conditions. Flexible positioning of both mounting locations and angles allows comfortable shooting to suit varied preferences and rigging.

Quick menu control with touch operation
The LCD screen has a quick access control menu. With a single touch, you can change codec, imager scan mode, picture size and frequency, base ISO/sensitivity, shooting mode and audio levels.

Dual CFexpress Type A-compatible media slots
Dual media slots support CFexpress Type A cards, along with conventional SDXC UHS-I and UHS-II cards, for fast buffer clearance and data management. Simultaneous, relay, interval and proxy modes are supported.

Networked for high mobility
Wi-Fi® connectivity enables a host of advanced wireless production features, such as remote control via smartphones or tablets and the Content Browser Mobile app. Connect easily with either NFC one-touch or manual pairing.

Metadata facilitates editing in Catalyst
The FX6 records three types of metadata: image stabilisation, clip flag and camera rotation. These can be useful when previewing and preparing to edit in Sony’s free Catalyst Browse or cost-effective Catalyst Prepare software.
[1] Shoot [2] Edit

Specifications

• General
  LENS MOUNT: E-mount
• Size & Weight
  WEIGHT (MAIN UNIT ONLY) (APPROX.): Approx. 890 g (1 lb 15 oz)
  DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.): Approx. 2.59 kg (5 lb 11 oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, SEL24105G LENS, Lens Hood, Handle, MIC holder)
  DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.): 114 x 116 x 153 mm (4.49 x 4.57 x 6.02) (body without protrusions)
• Power
  POWER REQUIREMENTS: DC 19.5 V
  POWER CONSUMPTION: Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
  BATTERY OPERATING TIME: Approx. 105 min. with BP-U35 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device), Approx. 215 min. with BP-U70 battery (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device)
• Operation
  OPERATING TEMPERATURE: 0 °C to 40 °C (32 °F to 104 °F)
  STORAGE TEMPERATURE: –20 °C to +60 °C (–4 °F to +140 °F)
• Recording Format (Video)
  XAVC INTRA: XAVC-I DCI4K 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 24p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I DCI4K 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 23.98p mode: CBG, MAX bit rate 89 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 25p mode: CBG, MAX bit rate 112 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 29.97p mode: CBG, MAX bit rate 111 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 50p mode: CBG, MAX bit rate 223 Mbps, MPEG-4 AVC/H.264, XAVC-I HD 59.94p mode: CBG, MAX bit rate 222 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 23.98p mode: VBR, MAX bit rate 240 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 25p mode: VBR, MAX bit rate 250 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 29.97p mode: VBR, MAX bit rate 300 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 50p mode: VBR, MAX bit rate 500 Mbps, MPEG-4 AVC/H.264, XAVC-I QFHD 59.94p mode: VBR, MAX bit rate 600 Mbps, MPEG-4 AVC/H.264
  XAVC LONG: XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 35 Mbps, MPEG-4 H.264/AVC, XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode: VBR, MAX bit rate 50 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 29.97p/25p/23.98p mode: VBR, MAX bit rate 100 Mbps, MPEG-4 H.264/AVC, XAVC-L QFHD 59.94/p/50p mode: VBR, MAX bit rate 150 Mbps, MPEG-4 H.264/AVC
• Recording Format (Audio)
  RECORDING FORMAT (AUDIO): LPCM 24 bits, 48 kHz, 4 channels
• Recording Frame Rate
  XAVC INTRA: XAVC-I DCI4K mode: 4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P, XAVC-I HD mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-I QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  XAVC LONG: XAVC-L HD 35 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L HD 50 mode: 1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P, XAVC-L QFHD mode: 3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P
  Recording/Playback Time
  XAVC INTRA: XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB): Approx. 36 minutes, XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): Approx. 71 minutes When using CEA-G80T (80 GB): Approx. 35 minutes, XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): Approx. 60 minutes When using CEA-G80T (80 GB): Approx. 29 minutes, XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB): Approx. 36 minutes When using CEA-G80T (80 GB): Approx. 17 minutes, XAVC-I DCI4K/QFHD 59.94p When using CEA-G160T (160 GB): Approx. 30 minutes When using CEA-G80T (80 GB): Approx. 15 minutes, XAVC-I DCI4K 24p When using CEA-G160T (160 GB): Approx. 74 minutes When using CEA-G80T (80 GB): Approx. 36 minutes, XAVC-I HD 23.98p When using CEA-G160T (160 GB): Approx. 185 minutes When using CEA-G80T (80 GB): Approx. 91 minutes, XAVC-I HD 25p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB): Approx. 74 minutes, XAVC-I HD 29.97p When using CEA-G160T (160 GB): Approx. 150 minutes When using CEA-G80T (80 GB): Approx. 74 minutes, XAVC-I HD 50p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB): Approx. 38 minutes, XAVC-I HD 59.94p When using CEA-G160T (160 GB): Approx. 78 minutes When using CEA-G80T (80 GB): Approx. 38 minutes
  XAVC LONG: XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 430 minutes When using CEA-G80T (80 GB): Approx. 210 minutes, XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA-G80T (80 GB): Approx. 155 minutes, XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): Approx. 170 minutes When using CEA-G80T (80 GB): Approx. 86 minutes, XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): Approx. 115 minutes When using CEA-G80T (80 GB): Approx. 57 minutes
  PROXY AUDIO: XAVC Proxy: AAC-LC, 128 kbps, 2 channels
  PROXY VIDEO: XAVC Proxy: AVC/H.264 High Profile 4:2:0 Long GOP, VBR 1920 x 1080, 9 Mbps
• Camera Section
  SENSOR TYPE: 35 mm full-frame, single-chip CMOS image sensor
  PIXELS: Approx. 12.9 megapixels (total), Approx. 10.2 megapixels (effective)
  BUILT-IN OPTICAL FILTERS: Clear, linear variable ND (1/4 ND to 1/128 ND)
  SENSITIVITY: ISO 800/12800 (Cine EI mode, D55 Light source)
  SHUTTER SPEED: 64F to 1/8000 sec
• Slow & Quick Motion
  XAVC-I: 1 to 60 frames (59.94/50/29.97/25/24/23.98), 4096 x 2160
  XAVC-I/L: 3840 x 2160; 1 to 60, 100, 120 frames (59.94/50/29.97/25/23.98); 1920 x 1080; 1 to 60, 100, 120, 1502, 1802, 2002, 2402 frames (59.94/50/29.97/25/23.98)
• White Balance
  WHITE-BALANCE MODES: Preset, Memory A, Memory B (2,000 K–15,000 K)/ATW
• Exposure
  GAIN CONTROL: –3 to 30dB (every 1dB), AGC
• Gamma
  GAMMA CURVE: SDR mode: S-Cinetone, Standard, Still, ITU709, HDR mode: HLG_Live, HLG_Natural
• Latitude
  LATITUDE: 15+ stop
• Interface
  TC INPUT/TC OUTPUT: BNC, TC IN/OUT Switchable
  AUDIO INPUT: Mic Reference: –30 to –80 dBu, XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable
  SDI OUTPUT: SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B)
  USB: USB Type-C (x1), Multi/Micro-B (x1)
  HEADPHONE OUTPUT: Stereo mini jack (x1), –16 dBu 16 Ω
  SPEAKER OUTPUT: Monaural
  DC INPUT: DC jack
  REMOTE: Stereo mini-minijack (Φ2.5 mm)
  HDMI OUTPUT: Type A (x1)
  GRIP: Minijack (φ3.5 mm / 4 pin)
• Monitoring
  LCD: 8.8 cm (3.5 type), Approx. 2.76 M dots
• Built-in Microphone
  BUILT-IN MICROPHONE: Omni-directional monoral electret condenser microphone (body) (x1), Stereo electret condenser microphone (handle) (x1)
• Media
  MEDIA TYPE: CFexpress Type A / SD card (x2), Slot B can be used for saving configuration data.
• Wi-Fi/NFC
  SUPPORTED FORMAT: IEEE 802.11 a/b/g/n/ac
  FREQUENCY BAND: 2.4 GHz bandwidth, 5.2/5.3/5.6/5.8 GHz bandwidth
  SECURITY: WEP/WPA-PSK/WPA2-PSK
  NFC: NFC Forum Type 3 Tag compliant

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