Sigma FP L Mirrorless Digital Camera

Sigma FP L Mirrorless Digital Camera

SIGMA has been questioning the genuine value of a digital camera
and how can we break down manufacturer’s ideas of camera-centric hierarchies and categories.

Deconstruction is our answer after rethinking what is essential to the users. We believe a camera should be more than a tool for fulfilling rational needs of photography making, but enriching life as your inspiration.
Therefore, “how can SIGMA be the one to make this happen?”

As the answer to this question, SIGMA set itself to develop a user-oriented digital camera that reflected the idea of “how a camera can be” in a more flexible and true-to-life manner.

A camera that keeps the heart of photography.
As a result, the SIGMA fp is the new form of camera that lets creativity get in.
Because SIGMA believes keeping the essence is the key to genuinely realize the idea of giving freedom back to you.

Pocketable Full-frame
Small in size, big on quality. Perfect for carrying anywhere.
As a camera that keeps the very essence of photography, the SIGMA fp is the world’s smallest and lightest* full-frame mirrorless camera.
You can take it with you anytime, anywhere—this will build a new relationship between you and a full-frame camera.

Scalable
From vintage lenses to modern gadgets, up to professional movie setup.
Creating your own style has never been so easy.
Pair it with the latest lens and accessories, or enjoy a vintage lens using an adapter. Keep it small and casual to take it out for everyday snaps, or build a full-fledged filmmaking setup.
Old and new, large and small.
Customize your fp just the way you want it, to suit what you want to do.

Seamless
Capturing your best moment. Photo or video?
The choice is yours.
Change shooting modes with just a flip of a switch. The SIGMA fp goes back and forth seamlessly between video and stills, responding straight to how you like to shoot, going beyond the boundaries of style or genre.

Higher resolution. Greater freedom.
Every shot is your dream shot.
A high pixel count means that images can stand extreme zooming or cropping. This was one aspect of an ultra-high pixel camera that led SIGMA to give the fp L a cropped zoom feature that works in both the STILL and CINE modes. Thanks to its ample (approximately 61 effective) megapixels, the fp L can record in full HD quality even at its maximum 5x zoom; because this is accomplished simply by cropping with no digital enhancement, the image quality will not suffer. To use it in a more intuitive way, you can pinch to zoom on the LCD touch screen.

Never miss your moment.
Hybrid Autofocus
Contrast detection autofocus + Phase detection autofocus
In addition to high-precision contrast AF, the SIGMA fp L features fast image area phase-detection AF. This hybrid AF allows users to enjoy smooth autofocus that is high-precision, fast, and excellent at tracking a moving subject, whether they are shooting stills or video.

Unlimited power supply.
Long hours of worry-free USB-C cable power supply
The SIGMA fp L supports USB charging while the camera is on. You can shoot without interruption while charging the camera using a mobile battery, even outdoors or where you have no access to a power outlet. When using it as a webcam, just connect the fp L to a PC via USB and it works as an audio and video input device while getting its power supply from the PC. This means that you can use it for long hours without having to worry about the battery dying on you.

Specifications

• Format
  Type
  Interchangeable-lens Mirrorless Type Digital Camera
  Memory Media
  SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported)
  Lens Mount
  L-Mount
• Image Sensor
  Type
  35 mm full-frame (36.0 mm x 24.0 mm) Back-illuminated Bayer CMOS sensor
  Camera Effective Pixels / Total Pixels
  Approx. 61 MP / Approx. 62.4 MP
  Aspect Ratio
  3:2
  Color Filter System
  RGB Primary color filter
  Still Image File Format
  Lossless compression RAW(DNG) data 12 bit,14 bit / JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible
  Image Aspect Ratio
  [21:9] / [16:9] / [3:2] / [A Size (√2:1) ] / [4:3] / [7:6] / [1:1]
• File Size
  RAW
  9.5K：9,520 x 6,328
  6.2K：6,240 x 4,144
  4.8K：4,768 x 3,168
  UHD：3,840 x 2,552
  FHD：1,920 x 1,280
  JPEG
  [21:9]
  9.5K：9,520 x 4,080
  6.2K：6,240 x 2,672
  4.8K：4,768 x 2,040
  UHD：3,840 x 1,648
  FHD：1,920 x 824
  [16:9]
  9.5K：9,520 x 5,352
  6.2K：6,240 x 3,512
  4.8K：4,768 x 2,680
  UHD：3,840 x 2,160
  FHD：1,920 x 1,080
  [3:2]
  9.5K：9,520 x 6,328
  6.2K：6,240 x 4,144
  4.8K：4,768 x 3,168
  UHD：3,840 x 2,552
  FHD：1,920 x 1,280
  [A Size (√2:1) ]
  9.5K：8,944 x 6,328
  6.2K：5,856 x 4,144
  4.8K：4,480 x 3,168
  UHD：3,616 x 2,552
  FHD：1,808 x 1,280
  [4:3]
  9.5K：8,432 x 6,328
  6.2K：5,520 x 4,144
  4.8K：4,224 x 3,168
  UHD：3,408 x 2,552
  FHD：1,696 x 1,280
  [7:6]
  9.5K：7,856 x 6,328
  6.2K：5,152 x 4,144
  4.8K：3,920 x 3,168
  UHD：3,168 x 2,552
  FHD：1,584 x 1,280
  [1:1]
  9.5K：6,328 x 6,328
  6.2K：4,144 x 4,144
  4.8K：3,168 x 3,168
  UHD：2,552 x 2,552
  FHD：1,280 x 1,280
• Crop
  Equivalent to approx.1.5 to 5 times the focal length of the lens (for 35 mm cameras)
• Color Space
  sRGB, Adobe RGB
• Movie Recording Format
  Camera Internal Record
  Movie Format
  CinemaDNG（8 bit, 10 bit, 12 bit）/ MOV：H.264 （ALL-I, GOP）
  Audio Format
  Linear PCM (2 ch 48 kHz / 16 bit)
  Record Format / Frame rate
  3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
  1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p*
  Continuous Shooting Enable Time
  Up to 2 hours
  Cinema DNG Memory Media Limitation
  SD Card (UHS-II) : UHD 8 bit 25 p or less, FHD 12 bit 59.94 p or less
  Portable SSD : UHD 12 bit 29.97 p or less, FHD 12 bit 100 p or less, FHD 8 bit 119.88 p or less
  HDMI External Output
  Movie Format
  4:2:2 8 bit
  12 bit RAW :External recorder record : ATOMOS Ninja V, Blackmagic Video Assist 12G supported
  Audio Format
  Linear PCM (2 ch 48 kHz/16 bit)
  Record Format / Frame Rate
  4,096 x 2,160 (DCI 4K) / 24 p　* Only for RAW output
  3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
  1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p*, 119.88 p*
• Focus
  AF System / Focus Mode
  Image plane phase-difference AF + Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus
  AF Sensitivity Range / AF Mode
  -5 to 18 EV (F1.4:ISO 100) / Auto, 49-point selection mode, Free Move mode, Face/Eye Detection AF mode, Tracking AF mode
  AF Lock
  Half-press the shutter button, or press the AEL button (setting change required)
  Other Focus Functions
  AF+MF, MF Assist, MF Guide, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification
• Exposure Control
  Metering System
  Evaluative, Spot, Center Weighted Average
  Metering Range
  -5 to 18 EV (50 mm F1.4:ISO 100)
  Still Image Shooting Mode
  (P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
  Movie Shooting Mode
  (P) Program AE, (S) Shutter Angle Priority AE, (A) Aperture Priority AE, (M) Manual
  ISO Sensitivity (Recommended exposure value)
  Base ISO
  [Still]
  ISO 100,400
  [Cine]
  CinemaDNG 12 bit / HDMI RAW:ISO 100, 1250
  MOV / CinemaDNG 10 bit, 8 bit, HDMI 4:2:2 8 bit:ISO 100, 250
  Settable Range
  ISO 100-25600 / Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400
  Exposure Compensation
  ±5 EV (in 1/3 stop increments) : ±3 EV at movie recording
  AE Lock
  Half-press the shutter button, or press the AEL button (setting change required)
  Exposure Bracket
  3 shots / 5 shots stage exposure 3EV (1/3 Step, Standard→Underexposure→Overexposure) (Sequence changeable)
• Image Stabilization System
  Image Stabilization System(EIS)
• White Balance
  12 types
  ( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature[50K steps], Custom 1, Custom 2, Custom 3 )
• Shutter
  Shutter Type
  Electronic shutter
• Shutter Speed
  30 to 1/8,000 sec., Bulb up to 300 sec.
• Self Timer
  2 sec. / 10 sec.
• Drive
  Drive Modes
  Single Capture, Continuous, Self Timer (2sec. / 10sec.), Interval Timer
• Continuous Drive Speed
  High Speed:approx. 10 shots/ sec., Medium Speed:approx. 5 shots/ sec., Low Speed:approx. 3 shots/ sec
• Number of Recordable Frames
  DNG+J (14 bit) / 9.5K:12 frames, 6.2K:12 frames, 4.8K or less:12 frames
  DNG+J (12 bit) , DNG (14 bit/12 bit) / 9.5K:12 frames, 6.2K:28 frames, 4.8K or less:50 frames
  JPEG / 9.5K:14 frames, 6.2K:35 frames, 4.8K or less:57 frames
• Monitor
  Type / Coverage
  TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%
• Flash (when to use external flash)
  Built-in Flash
  –
  Flash Mode
  S-TTL automatic light control, Manual, Wireless flash, Multi-emission
  Optional Functions
  Red-eye Reduction / Slow Synchronization, Rear Curtain Synchronization
  Flash Exposure Compensation
  Max. ±3 EV in 1/3EV step increments
  Flash Sync. Speed
  Max. 1/15 sec.
  External Flash Support
  Available when the HOT SHOE UNIT HU-11 (supplied with this product) is mounted. * S-TTL, Wireless support, X-sync.
• Color Mode
  15 types
  (Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Teal and Orange, Sunset Red, Forest Green, Powder Blue, FOV Classic Blue, FOV Classic Yellow, Duotone, Monochrome, Off )
• Director’s Viewfinder
  Supported cameras
  ARRI
  ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT
  SONY
  VENICE
  RED
  MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K
  Frame Guide
  1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2
  Custom Frame
  Input (Sensor Area / Aspect Ratio) , Offset, Style (4 styles) , Line (1 to 10 px) , Color (White, Black, Red, Yellow, Green, Cyan, Blue, Magenta) , Shading
• Other Functions
  Save / Load Settings via QR code, Screenshot, Webcam, In-camera RAW development, Still image capture from recorded movie files, Cinemagraph, Fill Light, HDR shooting (Still / Cine) , Still image shooting during movie shooting
• Built-in Microphone / Speaker
  Stereo microphone, Monaural speaker
• Display Language
  English / Japanese / German / French / Spanish / Italian / Simplified Chinese / Traditional Chinese / Korean / Russian / Dutch / Polish / Portuguese / Danish / Swedish / Norwegian / Finnish
• Interface
  USB Terminal
  USB3.1 GEN1 Type-C (supports Mass Stroage, Video Class(UVC), Camera Control)
  HDMI Terminal
  Type D（Ver.1.4）
  Remote
  Also used as an external microphone terminal
  Timecode Input
  Also used as an external microphone terminal
  External Microphone Terminal
  Φ3.5 mm stereo mini jack (Plug-in power support)
  Headphone Output Terminal
  Φ3.5 mm stereo mini jack (can be connected when using the dedicated ELECTRONIC VIEWFINDER EVF-11)
  Flash-synchro Terminal
  Dedicated terminal (with HOT SHOE UNIT HU-11 (supplied with this product) mounted)
• Dust and Splash Resistant Structure*
  Provided
• Power
  Power
  Li-ion Battery Pack BP-51
• Number of Recordable Still Images
  Approx. 240 images
• Minutes of Recordable Continuous Shooting
  Approx. 60 min.
• Dimensions and Weight
  Dimensions (W x H x D)
  112.6 x 69.9 x 45.3 mm / 4.4 x 2.8 x 1.8 in.
• Weight
  427 g / 15.1 oz.(including battery and SD card), 375 g / 13.2 oz. (Camera body only)
• Operating Environment
  Operating Temperature
  32 – 104 °F / 0 – +40 °C
• Operating Humidity
  85 % or less (non-condensing)
• Supplied Accessories
  Li-ion Battery Pack BP-51
  Strap
  STRAP HOLDER SH-11
  USB AC ADAPTER UAC-21
  USB CABLE (C-C) SUC-41
  HOT SHOE UNIT HU-11
  Body Cap
  Instruction Manual
  Limited Warranty
  Warranty Sticker