Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher

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  • 1920 x 1080 QLED Touchscreen Display
  • HDMI 2.0 & 12G-SDI Inputs/Outputs
  • Quad-HD Live Switching & 5-Ch Recording
  • 1200 cd/m² (±10%) Brightness
  • ProRes RAW Support
  • 8-Bit+FRC 422 ProRes/DNxHR Encoding

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Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher

With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.

Record up to 6Kp30
ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.

10-bit ProRes and
DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.

High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.

Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.

Two stereo balanced
XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.


  • Physical Specifications
    Dimensions (W x H x D mm)
    310mm / 12.2″ x 504 mm / 19.8″ x 63mm / 2.5″
    6.2kg / 13.7lb
    Mount points
    Top: 4 x 1/4′ 20, 2 x 3/8″, Bottom: 6 x 1/4′ 20, 3 x 3/8″ Right: 4 x 1/4′ 20, 2 x 3/8″, Left: 2 x 1/4′ 20, 1 x 3/8″
    VESA mount
    100 x 100
  • Environmental
    Ambient operating temperature
    Up to 40 Degrees Celsius
  • Construction and Control
    Cooling Actively controlled fan and Heat Sink
    Tally light
    Rear and front
    Multi-function button
    ower / lock Screen
    Touch Screen
  • Power
    Input voltage
    DC 12-16.8v
    Operating power
    Compatible batteries
    V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.
    Battery voltage
    14.4V nominal
    Battery Run time (Record)
    Depends on Watt Hours specification of battery used
    Battery Run time (Monitor only)
    Depends on Watt Hours specification of battery used
    Continuous power
    Dual Battery input via dedicated 4 pin XLR
    DC in connector
    1 x 4 pin XLR (12-16.8V)
    Via optional D-Tap to 4 Pin XLR cable.
  • Display
    SuperAtom IPS panel (capacitive touch)
    1920 x 1080
    Bit depth
    10Bit (8+2 FRC)
    Backlight Type
    Optically bonded quantum dot
    Brightness (cdm2 / nits)
    1200nit (+/- 10% @ center)
    Aspect ratio
    16:9 Image Display
    De-interlace mode
    Color Gamut
    DCI P3
    Calibration support
    Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
  • Color Pipeline
    Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
    BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT Display
    .Cube format
    3D LUT Output
    Loop out
    3DLUT 50/50
    Monitoring Modes
    Native/ 709 / HLG / PQ / 3D LUT
    HDR output Conversion
    HDR to HLG / PQ
  • Color Management
    Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
    Display Controls
    Backlight, Lift, Gamma, Gain
    Built in Technical Log to HDR EOTF
    3D LUTs
    Display, monitor and output, Record, Load via SSD
    Full to Legal conversion available on Input
  • Video Input
    1 x HDMI (2.0) 4K p60
    No – HDMI Video only
    4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
    Apple ProRes RAW up to 6Kp30
    Bit Depth
    8/10Bit Video / RAW up to 12Bit
    Video Chroma Subsampling
    YCbCr 422
    Yes with Auto detection
  • Metadata
    File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
  • File Naming
    S/S/T & Rolling
    Via SDI
    Red, Arri
  • Video Output
    1 x HDMI (2.0) 4K p60
    SDI loop out
    1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
    SDI Play out
    1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
    Video Chroma Subsampling
    Bit Depth
    10Bit Video / 12Bit RAW
  • Web Streaming
    Optional via ZATO Connect / USB Stick
  • Video Signal Conversion
    HDMI to SDI
    SDI to HDMI
    Yes – Video and RAW
  • Audio In/Out
    Audio Quality
    24-Bit / 48kHz
    Audio Codec
    8ch 24Bit, input dependent
    12ch 24Bit, input dependent
    Analogue Audio in
    2 x XLR
    Analogue Audio Out
    2 x XLR
    2 x 5w
    Headphone out
    3.5mm 2ch.
  • Timecode / Sync
    SDI and HDMI
    Time of day
    Yes, Time and Date
    LTC via BNC input in Record mode
    Genlock in Playback mode
  • Resolution and Frame Rates (Record, Monitor & Playback)
    4k DCI
    up to 4Kp60
    4k UHD
    up to 4Kp60
    2K DCI 2046 x 1080
    up to 2Kp60
    FHD 1920 x 1080 Progressive
    up to 1080p120
    FHD 1920 x 1080 PsF
    Pull down
    FHD 1920 x 1080 Interlaced
    1080i50 / 1080i60
    1280 x 720p
    6K RAW
    up to 6Kp30 Via SDI
    4K RAW
    up to 4Kp60 via SDI
    2K RAW
    up to 2Kp240 via SDI
  • Recording CODEC
    For SDI RAW inputs Only
    Apple ProRes RAW
    ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
    Apple ProRes
    Apple ProRes HQ / 422 / LT up to 4Kp60
    Avid DNxHD
    up to 1080p60
    Avid DNxHR
    up to 4Kp60
  • Playback
    Yes, Create custom play lists from full or sub clips
    Yes, with user customizable in / out markers
    Apple ProRes Raw
    Yes, recorded clips with linear PCM
    Apple ProRes
    HQ / 422 / LT – Yes with linear PCM
    Avid DNx
    DNxHR / DNxHD – Yes with linear PCM
  • Monitoring
    Native, 709, LUT
    HLG, PQ Rec2020
    Selectable mode
  • Recording functions
    Pre-roll record
    Yes (HD 8s, 4K 2s) – Not available in RAW
    ISO Record
    4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
    Switched Program Record
    Yes Up to 1080p 60
  • Multi Input / Switching
    SDI A/B toggle
    Yes, supports up to 12G SDI per input
    Dual Input display
    Via Multi ISO input mode
    Multiple SDI input
    Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
    Multiview Display
    Via Multi ISO input mode
    Input transitions
    Auto or manual XML transition
    Input Switching
  • Supported media
    Master Caddy I
    Yes (AtomX SSDmini handle required)
    CFast II
    Not supported
    File System
    SATA 3
    Master Caddy III
  • On screen tools
    3 sizes
    RGB parade
    3 sizes
    Vector scope
    2 size / Position
    1 x Zoom
    Yes. 1:1 Pixel mapping for 4K
    2 x Zoom
    Focus peaking
    Colour selected / threshold setting / colour/ Mono / edges only
    False colour
    Yes, with IRE scale
    Yes, customisable
    Isolate color channel
    Blue only
    Cine Frame Guides
    2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    Social Frame guides
    9:16, 1:1, 1.91:1, 4:5
    Safe areas
    SMPTE frame size – Action and Safe
    Grid markers
    9 grid
    Anamorphic desqueeze
    Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
    Display Flip
    False Color
    Yes, with IRE scale
  • Onboard Signal Processing
    4K UHD Downscale for HD
    Loop out – 4K UHD to FHD
    DCI Crop
    Loop out – 17:9 to 16:9 Crop
    I > P
    60i > 24p (3:2 pulldown)
    PSF > P
    24/25/30pSF > 24/25/30p (2:2 pulldown)
  • Remote control
    Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
    SDI trigger, camera selectable
    Serial 2.5mm Jack
    LANC control and calibration via optional USB to serial cable
  • Cut & Tag
    Cut tag EDL and Multicam with transitions in FCP XML
  • Supported Applications
    Apple Final Cut Pro
    Apple ProRes RAW
    Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
    Video Codecs
    All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
  • What’s in the box
    Accessories included
    SUMO 19SE unit
    1x Master Caddy II
    1x BattWing mounting bracket with 4x screws
    2x Desktop Feet with 4x 1/4” Mounting screws
    AC power supply