Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher

Atomos Sumo 19″ SE HDR Monitor, Recorder, and Switcher

Proven.
Reliable.
With a bright (1200nit), HDR touchscreen covering the DCI-P3 (P3) Color Gamut, the ability to record Apple ProResRAW up to 6Kp30, and a rugged and versatile design, the SUMO 19SE is the perfect addition to an on-set video village. With four independent inputs it can also be used to switch and record each ISO stream up to 1080p60 and has full-sized XLR connectors for professional audio workflows.

Record up to 6Kp30
ProRes RAW
Unlock the true potential of SDI RAW cinema cameras with the Sumo 19SE. Preserve the pristine quality of the data from the camera sensor by recording in Apple ProRes RAW at up to 6Kp30, 4Kp60 DCI/UHD, and 2Kp240 DCI/HD, or record in CinemaDNG at up to 4Kp30 DCI. Sumo 19SE is compatible with the Sony FS series cameras, Canon C300MKII/C500, Panasonic EVA-1/Varicam LT, and more.

10-bit ProRes and
DNx up to 4Kp60
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in Apple ProRes or Avid DNxHR codecs at 4Kp60. With support for multiple inputs via SDI, the SUMO 19SE provides the ability to record up to 4 x inputs and also supports ProRes LT and DNxHD 36 for extended recording times.

High-bright & HDR monitoring
With 1200nit brightness, 19-inch, 1920 x 1080, and 10-bit processing all built into a rugged enclosure, the SUMO 19SE is at home in any location. SDI and HDMI i/o supports a wide range of inputs and provides signal cross conversion with 4K>HD down conversion options.

Live Quad-channel HD Switching & Recording
Record up to four 1080p60 streams simultaneously (via 3G SDI Level A Only) as separate ISOs, as well as a fifth “program” channel of your switched feed, whilst cueing and switching in real-time. Display the resulting mixed output (via HDMI or SDI) live on set or use an HDMI to USB capture device to output the switched feed for live streaming. Switching is asynchronous, eliminating the need for expensive locked sources and allowing the use of more affordable cameras that do not support timecode/genlock inputs.

Two stereo balanced
XLR inputs with 48V
The full-size XLR connectors with 48V phantom power allow you to connect two external microphones with balanced analog audio recording and monitoring. The SUMO 19SE also has dedicated meters, gain controls, and adjustments for frame delay on each channel. Mic or line-level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.

Sumo 19
The perfect on-set monitor-recorder and switcher. Sumo’s 19” screen allows you to really see what’s going on in your image.

Specifications

• Physical Specifications
  Dimensions (W x H x D mm)
  310mm / 12.2″ x 504 mm / 19.8″ x 63mm / 2.5″
  Weight
  6.2kg / 13.7lb
  Mount points
  Top: 4 x 1/4′ 20, 2 x 3/8″, Bottom: 6 x 1/4′ 20, 3 x 3/8″ Right: 4 x 1/4′ 20, 2 x 3/8″, Left: 2 x 1/4′ 20, 1 x 3/8″
  VESA mount
  100 x 100
• Environmental
  Ambient operating temperature
  Up to 40 Degrees Celsius
• Construction and Control
  Cooling Actively controlled fan and Heat Sink
  Tally light
  Rear and front
  Multi-function button
  ower / lock Screen
  Touch Screen
  Yes
• Power
  Input voltage
  DC 12-16.8v
  Operating power
  75W
  Compatible batteries
  V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended.
  Battery voltage
  14.4V nominal
  Battery Run time (Record)
  Depends on Watt Hours specification of battery used
  Battery Run time (Monitor only)
  Depends on Watt Hours specification of battery used
  Continuous power
  Dual Battery input via dedicated 4 pin XLR
  DC in connector
  1 x 4 pin XLR (12-16.8V)
  Dtap
  Via optional D-Tap to 4 Pin XLR cable.
• Display
  Touchscreen
  SuperAtom IPS panel (capacitive touch)
  Size
  19″
  Resolution
  1920 x 1080
  PPI
  120
  Bit depth
  10Bit (8+2 FRC)
  Backlight Type
  Optically bonded quantum dot
  Brightness (cdm2 / nits)
  1200nit (+/- 10% @ center)
  Aspect ratio
  16:9 Image Display
  De-interlace mode
  Yes
  Color Gamut
  DCI P3
  Calibration support
  Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
• Color Pipeline
  Gamma
  Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
  Gamut
  BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
  3D LUT Display
  .Cube format
  3D LUT Output
  Loop out
  3DLUT 50/50
  Yes
  Monitoring Modes
  Native/ 709 / HLG / PQ / 3D LUT
  HDR output Conversion
  HDR to HLG / PQ
• Color Management
  Calibration
  Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
  Display Controls
  Backlight, Lift, Gamma, Gain
  AtomHDR
  Built in Technical Log to HDR EOTF
  3D LUTs
  Display, monitor and output, Record, Load via SSD
  Legalize
  Full to Legal conversion available on Input
• Video Input
  HDMI
  1 x HDMI (2.0) 4K p60
  HDMI RAW
  No – HDMI Video only
  SDI
  4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection
  SDI RAW
  Apple ProRes RAW up to 6Kp30
  Bit Depth
  8/10Bit Video / RAW up to 12Bit
  Video Chroma Subsampling
  YCbCr 422
  HDR
  Yes with Auto detection
• Metadata
  SDI
  File Name from Arri, RED. RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
• File Naming
  Standard
  S/S/T & Rolling
  Via SDI
  Red, Arri
• Video Output
  HDMI
  1 x HDMI (2.0) 4K p60
  SDI loop out
  1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
  SDI Play out
  1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable
  Video Chroma Subsampling
  422
  Bit Depth
  10Bit Video / 12Bit RAW
• Web Streaming
  USB UVC
  Optional via ZATO Connect / USB Stick
• Video Signal Conversion
  HDMI to SDI
  Yes
  SDI to HDMI
  Yes – Video and RAW
• Audio In/Out
  Audio Quality
  24-Bit / 48kHz
  Audio Codec
  PCM
  HDMI
  8ch 24Bit, input dependent
  SDI
  12ch 24Bit, input dependent
  Analogue Audio in
  2 x XLR
  Analogue Audio Out
  2 x XLR
  Speakers
  2 x 5w
  Headphone out
  3.5mm 2ch.
• Timecode / Sync
  Embedded
  SDI and HDMI
  Time of day
  Yes, Time and Date
  LTC
  LTC via BNC input in Record mode
  Genlock
  Genlock in Playback mode
• Resolution and Frame Rates (Record, Monitor & Playback)
  4k DCI
  up to 4Kp60
  4k UHD
  up to 4Kp60
  2K DCI 2046 x 1080
  up to 2Kp60
  FHD 1920 x 1080 Progressive
  up to 1080p120
  FHD 1920 x 1080 PsF
  Pull down
  FHD 1920 x 1080 Interlaced
  1080i50 / 1080i60
  1280 x 720p
  60p
  6K RAW
  up to 6Kp30 Via SDI
  4K RAW
  up to 4Kp60 via SDI
  2K RAW
  up to 2Kp240 via SDI
• Recording CODEC
  CDNG
  For SDI RAW inputs Only
  Apple ProRes RAW
  ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60
  Apple ProRes
  Apple ProRes HQ / 422 / LT up to 4Kp60
  Avid DNxHD
  up to 1080p60
  Avid DNxHR
  up to 4Kp60
• Playback
  Playlist
  Yes, Create custom play lists from full or sub clips
  Loop
  Yes, with user customizable in / out markers
  CDNG
  No
  Apple ProRes Raw
  Yes, recorded clips with linear PCM
  Apple ProRes
  HQ / 422 / LT – Yes with linear PCM
  Avid DNx
  DNxHR / DNxHD – Yes with linear PCM
• Monitoring
  SDR
  Native, 709, LUT
  HDR
  HLG, PQ Rec2020
  De-Interlace
  Selectable mode
• Recording functions
  Pre-roll record
  Yes (HD 8s, 4K 2s) – Not available in RAW
  ISO Record
  4 x ISO up to 1080p 60 (3G SDI Level A ONLY)
  Switched Program Record
  Yes Up to 1080p 60
  Timelapse
  Yes
• Multi Input / Switching
  SDI A/B toggle
  Yes, supports up to 12G SDI per input
  Dual Input display
  Via Multi ISO input mode
  Multiple SDI input
  Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
  Multiview Display
  Via Multi ISO input mode
  Input transitions
  Auto or manual XML transition
  Input Switching
  Yes
• Supported media
  Master Caddy I
  No
  SSDmini
  Yes (AtomX SSDmini handle required)
  CFast II
  Not supported
  File System
  ExFAT
  Interface
  SATA 3
  Master Caddy III
  Yes
• On screen tools
  Waveform
  3 sizes
  RGB parade
  3 sizes
  Vector scope
  2 size / Position
  1 x Zoom
  Yes. 1:1 Pixel mapping for 4K
  2 x Zoom
  Yes
  Focus peaking
  Colour selected / threshold setting / colour/ Mono / edges only
  False colour
  Yes, with IRE scale
  Zebra
  Yes, customisable
  Isolate color channel
  Blue only
  Cine Frame Guides
  2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
  Social Frame guides
  9:16, 1:1, 1.91:1, 4:5
  Safe areas
  SMPTE frame size – Action and Safe
  Grid markers
  9 grid
  Anamorphic desqueeze
  Display 1.25x, 1.33x, 1.5x, 1.8x and 2x
  Display Flip
  Vertical
  False Color
  Yes, with IRE scale
• Onboard Signal Processing
  4K UHD Downscale for HD
  Loop out – 4K UHD to FHD
  DCI Crop
  Loop out – 17:9 to 16:9 Crop
  I > P
  60i > 24p (3:2 pulldown)
  PSF > P
  24/25/30pSF > 24/25/30p (2:2 pulldown)
• Remote control
  HDMI
  Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
  SDI
  SDI trigger, camera selectable
  Serial 2.5mm Jack
  LANC control and calibration via optional USB to serial cable
• Cut & Tag
  FCP XML
  Cut tag EDL and Multicam with transitions in FCP XML
• Supported Applications
  XML
  Apple Final Cut Pro
  Apple ProRes RAW
  Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH
  Video Codecs
  All applications with support for Apple ProRes and Avid DNX in .MOV wrapper
• What’s in the box
  Accessories included
  SUMO 19SE unit
  1x Master Caddy II
  1x BattWing mounting bracket with 4x screws
  2x Desktop Feet with 4x 1/4” Mounting screws
  AC power supply