Atomos Ninja V+ Kit
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- 10-bit HDR
- 4K 60p Video
- H.265 (HEVC)
- HD 60P up to 240p
- Apple ProRes
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Atomos Ninja V+ Kit
The World’s First 8K RAW HDR Monitor Recorder
The Ninja V+ is the next stage in the evolution of the multi-award-winning Atomos Ninja, delivering up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW while inheriting HDR, 4Kp60 RAW and video as well as HDp120 slow motion from it’s little brother, Ninja V.
With the ability to capture in 8Kp30 and 4Kp120, the Ninja V+ allows you to stay ahead of the game and manage your projects whilst ensuring that you have the flexibility to grow your system. Future-proofed quality and formats allow you to stay compatible with newly released and existing cameras, in a world where new cameras are released frequently and technology is advancing at an incredible pace.
The Ninja V+ takes advantage of the new Atomos Silicon chip, the AtomIC3, AtomOS 10 and the incredible efficiency of ProRes RAW to deliver these increased resolutions and frame rates. The new formats also integrate seamlessly into the timeline of your existing ProRes RAW or ProRes projects, without huge storage or processing overheads.
Open standard formats from every camera
Apple ProRes is the world’s Pro Video standard for Video and RAW capture, and the number of cameras which support RAW recording over HDMI on the Ninja V+ continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes, giving filmmakers enormous latitude when adjusting the look of their images, making it an ideal solution for HDR workflows.
The Ninja V+ also captures up to 4Kp60 in 10-bit 4:2:2 from almost every camera manufacturer, like Panasonic, Nikon, Olympus, Leica, Fujifilm, Z Cam, RED and ARRI. It also builds upon the great workflow and versatility of Ninja V, that unites the world’s leading camera manufacturers and the industry standard editing software for our customers.
The Ninja Solution
Smaller cameras are incredibly capable these days, but they can still be limited in terms of battery life when recording RAW and high frame rates, use expensive internal media and can have recording limits. The Ninja V+ provides a solution to these issues with longer recording times, professional power solutions and affordable SSD media options. In addition, you get a stunningly bright 5.2” monitor with an astounding 1000nits – 10.5 stops of HDR, plus a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas and Cine Guides. Our AtomHDR engine also processes the incoming Log/RAW/HDR signals from your camera or device and displays the HDR screen of the Ninja V+.
Ready for the future Starting with the Canon EOS R5
The NINJA V+ supports recording of ProRes RAW up to 8K at 30fps from both the Canon EOS R5 and the EOS R5 C mirrorless cameras. For the past two years, ATOMOS and Canon have worked together to bring customers worldwide first for capturing stunning 8K RAW and HDR images. The clarity and detail provided by the combined technologies is truly unprecedented in such a compact, configurable, and affordable system. Canon and ATOMOS have provided an 8K solution that is accessible to filmmakers everywhere without compromising on quality.
More power. Less weight.
All the versatility.
Pairing the Ninja V+ with the Canon EOS R5 C gives you a powerful yet compact 8K camera package that fits in your hands and can be flexibly built out to suit your needs. It can become the basis of a compact cinema rig or you can easily create a lightweight setup. The Canon EOS R5 C with a 24mm Cine Lens, Ninja V+, NPF battery and media comes in under 3KG/7lb, which can be easily carried by a wide range of aerial drones, gimbals and stabilizers as well as vehicles and robot arms.
Resolution means creative flexibility
With the broad canvas of 8K resolution, your options for creative crops into a region of interest, allowing you to extract multiple 4K shots from a single camera angle. This allows you to create additional shots for cutaways to break up the edit that are higher in resolution than if the shots were extracted from a single 4K source.
Create multiple high-resolution vertical or square crops in regions of interest in post for social media, which can be previewed on the Ninja V+ with social media frame guides. This allows you to maximize the camera’s resolution to achieve 4K 9:16 vertical aspect ratios without having to compromise the way you shoot for mainstream delivery.
Stabilize without compromise
With the incredible resolution of 8K video, the final shot will likely still have a resolution of 4K or 6K. You can integrate with other 8K footage on the timeline and still look great.
High-resolution screenshots from 8K full-frame cameras offer the ability to create scene plates for small-scale virtual production stages or use in other content platforms.
Pristine 4Kp120 ProRes RAW with SONY and Z CAM
The Ninja V+ allows you to capture content at up to 4Kp120 in pristine ProRes RAW for high frame rate video that has exceptional image quality. This is a great alternative to using the internal compressed codecs on your camera for high frame rate recording, as they can apply higher levels of color compression and subsampling, leading to potential artifacts or limitations in the edit/grade.
See the unseen
Capture and visualize the unseen with 4Kp120 recording at up to ProRes RAW from the Ninja V+ and Sony FX6/FX9 and Z CAM E2 /E2-M4 models, with more models to follow. Fully harness the dynamic range of the sensor, and capture every aspect of motion and movement directly via RAW over SDI* or HDMI. Another benefit is being able to play back the high frame rate video captured on the Ninja V+ at various playback speeds to preview the adjustments you can make on your NLE timeline. See the Ninja V+ Pro-Kit section for information on capturing 4Kp120 ProRes RAW from the SDI RAW output of the Sony FX9* and Sony FX6.
An incredible codec arsenal
With the flexibility of providing options for RAW, visually lossless edit-ready files, and proxy/sharable files, scale your needs for quality and file size.
- Apple ProRes RAW – supporting 16bit RAW outputs from the camera via HDMI and optionally via SDI
- Apple ProRes – An industry-standard edit-ready codec from Apple with scalable levels of compression.
- Avid DNx – An industry-standard edit-ready codec for Avid editors with scalable levels of compression.
- H.265 (HEVC) – The highly efficient compressed codec allows you to create high-quality files with a low bit rate and small file size for sharing. You can also create 4K HDR 10-bit deliverables and have the option to ‘bake in’ LUTs to achieve the final pixel LOOK without the need to grade the footage.
AtomX Modules Upgrade. Connect. Expand.
AtomX Expansion modules attach to the Expansion Slot on your Ninja V+ and provide additional connections and functionality. The extra horsepower from the Atomos Silicon AtomIC3 chip also allows you to add other ‘plus’ features when combined with upcoming AtomX modules and future Atomos products.
Upgrade your Connection options
The AtomX SDI Expansion Module locks into place via the modular expansion slot and adds the quality and convenience of SDI connectivity to your Ninja V+, which allows you to monitor and record SDI video up to 4Kp60 from a range of professional cameras and video sources. Adding SDI connections to your Ninja more than doubles it’s I/O functionality as both HDMI and SDI connections can be cross converted, and you have options for DCI crop and 4K to HD down conversion to provide a bridge between equipment such as EVFs and wireless TX/RX without the need for additional converters.
Making multi-camera mainstream
You no longer need a huge budget or a highly skilled editor to produce perfectly synchronized, multicamera video. The AtomX SYNC module brings wireless timecode, sync and control technology to the Ninja V+, and you can connect multiple AtomX SYNC enabled Ninja V+ units to create a Timecode Systems powered multi-camera sync network. Remotely trigger frame accurate record start/stop recording, monitor, battery and disk capacity information from the SYNC server configured Ninja V+.
Wireless Remote Control
The AtomRemote app for iOS and macOS provides external controls for NINJA V, and NINJA V+ with AtomX SYNC module. This app enables filmmakers to perform a range of configuration tasks and operations wirelessly up to 15 meters via Bluetooth LE. Input options include the ability to define how the device connects to the camera, select Gamma/EOTF and adjust Gamut settings. For monitoring, AtomRemote can be used to control playback, select monitoring modes, apply custom 3D LUTs and analysis tools including exposure and focus. Output controls provide options for 4K to HD and LUT preview and HDR output.
Flexible. Affordable. Fast.
Affordability, accessibility and choice allows users to select recording media to meet their needs. High resolution and high frame rates require sustained media performance, which we have achieved through our ongoing developments with both codecs and data handling. The AtomX SSDmini offers a native fit and will support up to 8K30p and 4K120p.
The next level
The incredibly powerful Ninja V+ delivers up to 8Kp30 and 4Kp120 continuous recording in Apple ProRes RAW and allows you to stay ahead of the game.
|Dimensions (W x H x D mm)||151 x 91.5 x 31 mm|
|Weight||360 g / 12.7 oz|
|Mount points||Anti-rotational 3/8-16 screw mount points, 1/4-20 screw mount adaptor installed. 1x top and 1x bottom|
|Ambient operating temperature||Up to 40 Degrees Celsius|
|Construction and Control|
|Body||Aluminium alloy chassis with ABS Polycarbonate back plate|
|Cooling||Heat Sink and actively controlled fan with user selectable modes in menu|
|Tally light||Rear and front|
|Multi-function button||Power / lock Screen|
|Input voltage||5.8 – 7.2V (Battery)|
|Compatible batteries||NP-F L series and supporting accessories|
|Built in battery||No|
|Battery Run time (Record)||5200mAh – up to 2hrs (monitor & record 4K 60p) 7800mAh – up to 3hrs (monitor & record 4K 60p)|
|Battery Run time (Monitor only)||5200mAh – up to 2hrs (monitor & record 4K 60p). 7800mAh – up to 3hrs (monitor & record 4K 60p)|
|Continuous power||Enabled by optional AtomX SYNC Expansion Module|
|DC in connector||Via DC Jack on Battery eliminator|
|Dtap||Via Battery Eliminator and optional D-Tap to DC cable|
|Touchscreen||SuperAtom IPS panel (capacitive touch) calibration to Rec.709 with optional calibration unit|
|Resolution||1920 x 1080|
|Bit depth||10Bit (8+2 FRC)|
|Backlight Type||Edge lit|
|Brightness (cdm2 / nits)||1000 +/- 10%|
|De-interlace mode||I > P and PSF > P|
|Calibration support||Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus (Retail)|
|Gamma||Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Nikon N-Log, Panasonic V-Log, JVC J-Log1, Olympus OM-Log400 / Flat, Lecia L-Log, Z Cam Z-Log2, RED LogFilm / RED Log3G10 / RED Log3G12, FujiFilm F-log, PQ (HDR10), HLG|
|Gamut||Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, DCI P3 / DCI P3+, Nikon NLog, Panasonic V-Gamut, Arri Alexa Wide Gamut, Rec709, BT.2020, FujiFilm F-Gamut, JVC LS300, RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4 Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut|
|3D LUT Display||.Cube Format|
|3D LUT Output||Loop out|
|Monitoring Modes||Native / HLG / PQ / 3D LUT|
|HDR output Conversion||Log / HDR to HLG / PQ / Dolby Vision|
|HDMI||1 x HDMI (2.0) 4k p60|
|HDMI RAW||Apples ProRes RAW up to 8k|
|SDI||2 x 12G SDI Backward compatible via optional AtomX SDI module|
|SDI RAW||Optional with AtomX SDI module + SDI RAW activation|
|Bit Depth||8/10-Bit Video / RAW up to 12Bit|
|Video Chroma Subsampling||420 and 422|
|HDCP copy protection||Not supported|
|HDMI||RAW – white balance, exposure index, shutter speed/angle, iris F-stop, ISO, gamma, gamut|
|SDI||File name from Arri & RED via Optional AtomX SDI Module|
|HDMI||1 x HDMI (2.0) 4k p60|
|SDI loop out||Optional Via AtomX SDI module|
|SDI Play out||Optional Via AtomX SDI module|
|Video Chroma Subsampling||4:2:2|
|Bit Depth||10-bit Video / 12-bit RAW|
|USB UVC||Optional Via Connect 4k|
|Video Signal Conversion|
|HDMI to SDI||Optional Via AtomX SDI module|
|SDI to HDMI||Optional Via AtomX SDI module|
|Audio Quality||24-bit 48kHz|
|HDMI||8ch 24-bit, input dependent|
|SDI||12ch 24-bit, input dependent|
|Analogue Audio in||3.5mm 2ch.|
|Analogue Audio Out||3.5mm 2ch.|
|Headphone out||3.5mm 2ch.|
|Timecode / Sync|
|Embedded||HDMI and SDI|
|Time of day||Yes, Time and Date|
|LTC||via 3.5mm audio Jack input (Requires post processing)|
|Wireless SYNC||Via Optional AtomX SYNC Module|
|Resolution and Frame Rates (Record, Monitor & Playback)|
|8k||RAW Only up to 30p via HDMI|
|6k||RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)|
|5k||RAW Only up to 30p via HDMI|
|4k DCI||23.98/24/25/29.9/30/50/59.94/60p – HFR 100/120 via RAW over HDMI & SDI on selected cameras|
|2K DCI 2046 x 1080||Optional via AtomX SDI module|
|Anamorphic||3.5k: RAW up to 60p (from supported cameras only)|
|FHD 1920 x 1080 Progressive||23.98/24/25/29.9/30/50/59.94/60/100/120p|
|FHD 1920 x 1080 PsF||converted to P and looped out PsF|
|FHD 1920 x 1080 Interlaced||23.98/24/25/29.9/30/50/59.94/60i|
|1280 x 720p||50/59.94/60p|
|Apple ProRes RAW||ProRes RAW, ProRes RAW HQ (Free activation via my.Atomos.com)|
|Apple ProRes||LT, 422, 422HQ|
|Avid DNxHD||DNxHD 220x,220,145,36 (Free activation via my.Atomos.com)|
|Avid DNxHR||LB, SQ, HQ, HQX (Free activation via my.Atomos.com)|
|H.265||LQ, MQ, HQ in 8/10Bit, 422 and 420 (Free activation via my.Atomos.com)|
|Playlist||Yes, Create custom play lists from full or sub clips|
|Loop||Yes, with user customisable in / out markers|
|Apple ProRes Raw||Yes, recorded clips|
|Apple ProRes||Yes, with Linear PCM audio|
|Avid DNx||Yes, with Linear PCM audio|
|H.265||Yes, recorded clips with Linear PCM audio|
|Pre-roll record||Yes (HD 8s, 4K 2s) – Not available in RAW|
|Multi Input / Switching|
|SDI A/B toggle||Via optional AtomX SDI module|
|Multiple HDMI input||Via optional AtomX CAST module|
|Master Caddy I||Not compatible|
|SSDmini||Native Size and Fit|
|CFast II||Supported cards via optional SSDmini CFAST II Adaptor|
|File Naming||Unit Name – Scene/Shot/Take|
|On screen tools|
|Waveform||Yes, 3 size / Position|
|RGB parade||Yes, 3 size / Position|
|Vector scope||Yes, 2 size / Position|
|1 x Zoom||Yes. 1:1 Pixel mapping for 4k|
|2 x Zoom||Yes|
|Focus peaking||Color selected / threshold setting / color / mono / edges only|
|False colour||Yes, with Scale|
|Isolate color channel||Blue Only|
|Cine Frame Guides||2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3|
|Social Frame guides||9:16, 1:1, 1.91:1, 4:5|
|Safe areas||Action and Graphic|
|Grid markers||9 grid|
|Anamorphic desqueeze||1.25x 1.33x , 1.5x ,1.8x ,2x|
|Display Flip||Vertical Only|
|Onboard Signal Processing|
|Pulldown Removal||24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)|
|4K UHD Downscale for HD||Loop out – 4K UHD to FHD|
|DCI Crop||Loop out – 17:9 to 16:9 Crop|
|HDMI||Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard|
|SDI||SDI trigger camera selectable|
|Serial 2.5mm Jack||LANC control and calibration via optional USB to serial cable|
|Bluetooth LE||Via AtomRemote app (requires AtomX SYNC module)|
|Wireless RF||Via optional AtomX SYNC module|
|External Device Control|
|Serial 2.5mm Jack||Camera control for supported cameras via Optional USB to Serial Cable|
|Bluetooth LE||Via optional AtomX SYNC module to compatible devices|
|Wireless RF||Via optional AtomX SYNC module to compatible devices|
|XML||Cut tag EDL in FCPX XML|
|Apple ProRes RAW||Apple FCP, Adobe Premier, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light.|
|Video Codecs||All Applications with support for Apple ProRes, H.265 and Avid DNX in .MOV wrapper|
|What’s in the box|
|Accessories included||Ninja V +, EVA Carry case, 5″ Protective Monitor sleeve, Battery eliminator, international DC power supply, 1x MasterCaddy II and QuickStart Guide|
|Optional extras||Sunhood, DC to D-Tap, Power Kit, HDMI Cables, USB to Serial cable, AtomX SYNC, AtomX SDI, AtomX CAST modules, UltraSync ONE, UltraSync Blue|
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