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Sony FX3 Full-Frame Cinema Camera

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  • 12.1MP Full-Frame CMOS Exmor R Sensor
  • UHD 4K up to 120 | 1080p up to 240
  • Compact Form for Cage-Free Operation
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 15+ Stops DR
  • Detachable 2 x XLR/TRS Adapter Handle
  • Phase Detection AF/Face Tracking/Eye AF
  • 80 to 409,600 Expanded ISO Range
  • Dual CFexpress Type A/SDXC Card Slots

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Description

Sony FX3 Full-Frame Cinema Camera

Full-frame image capture even in dim light
The FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.

Wide dynamic range, wider creative expression
The FX3 offers an exceptional 15+ stops of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

Stunning bokeh and full-frame creativity
Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic colour science of S-Cinetone™
S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.

4K 120fps with every frame in focus
Even at high frame rates, detailed 4K imagery is captured thanks to the FX3’s high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

10-bit S-Log3 and HDR recording for smooth gradations
S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.

Enjoy rich detail and realistic colour
The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.

[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures

Dependable, highly accurate autofocus
The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).

Sophisticated tracking AF for steady focus
Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony’s unique AI-based subject recognition algorithms.

Smooth transitions and touch focus control
The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

High-performance E-mount lenses for movies
Experience smooth, responsive autofocus with Sony’s E-mount lenses, with premium optical performance and operability for tough cinematography applications. The unique linear-drive actuator technology in Sony’s E-mount lenses provides smoother, more precise and tenacious AF performance to support creative endeavours.

High-mobility performance wherever you go
With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

Attachable XLR handle
A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

In-camera image stabilisation
Active Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.

[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)

Image stabilisation and easier editing with Catalyst
Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony’s Catalyst Browse / Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

Front and rear tally lamps
Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

Vari-angle LCD touch-panel monitor
The 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

Essential controls for efficient solo shooting
In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

Uninterrupted 4K/60p recording
For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

XLR adaptor and digital input for quality audio
In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.

Dual high-speed media slots
Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera’s slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

Remote camera control and network transfer
A network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.

Remote preview, shooting and streaming
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Specifications

  • General
    CAMERA TYPE
    Interchangeable lens digital camera
    LENS MOUNT
    E-mount
  • Size & Weight
    WEIGHT (MAIN UNIT ONLY) (APPROX.)
    715 g (1 lb 9.3 oz) (with battery and memory card included), 640 g (1 lb 6.6 oz) (body only)
    WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)
    1.015 kg (2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)
    DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)
    1.015 kg (2 lb 3.8 oz) (with XLR Handle, battery pack, SD card)
    DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)
    129.7 mm x 77.8 mm x 84.5 mm (5.11 x 3.06 x 3.33) (body without protrusions)
  • Power
    POWER CONSUMPTION
    [Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
    BATTERY OPERATING TIME
    Approx. 95 min (Actual recording, CIPA standard) , Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)
  • Operation
    OPERATING TEMPERATURE
    0 °C to 40 °C (32 °F to 104 °F)
    STORAGE TEMPERATURE
    –20 °C to +55 °C (–4 °F to +131 °F)
  • Recording Format (Video)
    XAVC HS
    [XAVC HS 4K] XAVC HS 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC / H.265
    XAVC S
    [XAVC S 4K] XAVC S 4K 59.94p/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC / H.264,
    XAVC S-I
    [XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC / H.264,
  • Recording Format (Audio)
    RECORDING FORMAT (AUDIO)
    LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
  • Recording Frame Rate
    XAVC HS
    [XAVC HS 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 23.98p
    XAVC S
    [XAVC S 4K] 3840 x 2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p
    XAVC S-I
    [XAVC S-I 4K] 3840 x 2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080/59.94p, 50p, 29.97p, 25p, 23.98p,
  • Recording/Playback Time
    XAVC HS
    [XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes
    XAVC S
    [XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes
    XAVC S-I
    [XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes
    PROXY AUDIO
    XAVC Proxy: AAC-LC, 128 kbps, 2 channels
    PROXY VIDEO
    1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)
  • RAW Output
    RAW OUTPUT
    HDMI: 4264 x 2408 (59.94p/50p/29.97p/25p/23.98p), 16bit
  • Other Video Function
    VIDEO FUNCTIONS
    Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector
  • Camera Section
    SENSOR TYPE
    35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor
    PIXELS
    Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)
    SENSITIVITY
    [Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit)
    SHUTTER SPEED
    Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 s, Bulb
  • Slow & Quick Motion
    XAVC HS
    XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps
    XAVC S
    XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
    XAVC S-I
    XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps
  • White Balance
    WHITE-BALANCE MODES
    Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom
  • Gamma
    GAMMA CURVE
    Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
  • Latitude
    LATITUDE
    15+ stop (S-Log3)
  • Focus System
    TYPE
    Fast Hybrid AF (phase-detection AF / contrast-detection AF)
    FOCUS POINT
    [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)
    SENSITIVITY RANGE
    EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
    FOCUS MODE
    [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
    FOCUS AREA
    [Movie] Wide / Zone / Centre / Flexible Spot / Expanded Flexible Spot, [Still image] Wide / Zone / Centre / Flexible Spot / Expanded Flexible Spot / Tracking
    OTHER FOCUS FEATURES
    Eye AF ([Movie] Human (Right/Left Eye Select), ([Still image] Human (Right/Left Eye Select) / Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
  • Exposure Control
    METERING SENSITIVITY
    EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
    EXPOSURE MODES
    [Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M
  • Recording (Still image)
    RECORDING FORMAT
    JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
    IMAGE SIZE
    Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M
  • Playback
    PLAYBACK FUNCTIONS
    Index view, Folder selection (Date / Still / Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)
  • Interface
    AUDIO INPUT
    3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin (female) (x2), line/mic/mic +48 V selectable, Mic Reference –40 to –60 dBu / [INPUT3] 3.5 mm Stereo minijack)
    USB
    USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi/Micro USB (x1)
    HEADPHONE OUTPUT
    Yes (3.5 mm Stereo minijack)
    SPEAKER OUTPUT
    Built-in, monaural
    HDMI OUTPUT
    HDMI jack (Type-A), YCbCr 4:2:2 10 bit / RGB 8 bit
    MULTI INTERFACE SHOE
    With Digital Audio Interface
    BLUETOOTH®
    Bluetooth Standard Ver. 5.0 (2.4 GHz band)
  • Monitoring
    LCD
    7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.
  • Built-in Microphone
    BUILT-IN MICROPHONE
    Built-in, stereo
  • Media
    MEDIA TYPE
    CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
  • File System
    FILE SYSTEM
    FAT12, 16, 32, exFAT
  • Zoom
    ZOOM FUNCTION
    Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)
  • Still image function
    SHUTTER
    Mechanical shutter / Electronic shutter
    DRIVE MODES
    Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
    CONTINUOUS SHOOTING SPEED
    Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
    NOISE REDUCTION
    Long exposure NR: On / Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
    FLASH CONTROL
    Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 s.
    OTHER STILL IMAGE FUNCTION
    Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot
  • Image Stabilization
    TYPE
    Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
    MODE
    [Movie] Active / Standard / Off, [Still image] On / Off
    COMPENSATION EFFECT (STILL IMAGES)
    5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
  • Custom Function
    CUSTOM FUNCTION
    Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
  • Lens Compensation
    LENS COMPENSATION
    Peripheral Shading, Chromatic Aberration, Distortion
  • Wi-Fi/NFC
    SUPPORTED FORMAT
    IEEE 802.11a/b/g/n/ac
    FREQUENCY BAND
    2.4 GHz band/5 GHz band
    SECURITY
    WEP/WPA-PSK/WPA2-PSK
    NFC
    NFC Forum Type 3 Tag compliant
  • FTP Transfer
    FTP TRANSFER
    Wired LAN (USB-LAN), USB Tethering, Wi-Fi
  • Supplied Accessories
    SUPPLIED ACCESSORIES
    Accessory shoe cap, Accessory shoe kit, Battery Charger BC-QZ1, Body cap, Handle shoe cap, Power cord, Rechargeable Battery NP-FZ100, USB-A to USB-C cable (USB 3.2), XLR handle unit

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