Sony FE 16-35mm f/2.8 GM II Lens (Sony E-mount, Full-Frame)

Sony FE 16-35mm f/2.8 GM II Lens (Sony E-mount, Full-Frame)

If you shoot landscapes, architecture, interiors, or creative wide-angle scenes on Sony’s full-frame mirrorless system, the Sony FE 16-35mm f/2.8 GM II is built to be your go-to lens. It replaces its predecessor with upgrades in sharpness uniformity, reduced weight, improved distortion control, and better handling — all while keeping the beloved constant f/2.8 aperture.

In India’s bright, high-contrast conditions — from desert landscapes in Rajasthan to urban skylines in Mumbai — this lens helps you maintain excellent image quality in tricky light. Whether you’re working in midday sun, golden hour, or dim interiors, the lens delivers consistent performance. Its features also cater well to hybrid shooters: a de-clickable aperture ring, smooth linear autofocus, and video-friendly controls make it equally capable for stills and video.

Key Features

• Constant f/2.8 aperture across the zoom range for consistent exposure

• Exceptional sharpness from edge to edge, even wide open (exceeds 60 lp/mm)

• Excellent control over chromatic aberration — nearly invisible longitudinal CA

• Reduced weight & size compared to previous version, making it more travel-friendly

• De-clickable aperture ring and customizable aperture control for video

• Weather-sealed construction for reliable use in Indian conditions

• Fast, near-silent autofocus with minimal focus breathing

• Smooth bokeh from 11-blade diaphragm

• Strong flare resistance and good coating performance

Why It’s Better Compared to Market Options

• Some wide-angle zooms soften heavily toward corners at f/2.8; this lens maintains high performance even wide open.

• It offers more consistent performance across focal lengths, reducing weak “sweet spots.”

• Compared to its predecessor, it handles distortion and vignetting better, making it more plug-and-play for real-world shooting.

• Its video-friendly controls (de-click ring, minimal breathing) make it more flexible for hybrid shooters.

• The build, seals, and ergonomics are upgraded to better suit Indian field conditions.

Advantages

• Versatile – wide-angle zoom replaces multiple primes in many scenarios

• High image fidelity across the frame

• Reliable in diverse Indian climates and conditions

• Video-friendly design cues

• Light enough for travel and handheld work

Disadvantages

• Premium price — large investment

• Wide-angle lenses inherently see vignetting and distortion (though reduced here)

• Maximum aperture f/2.8 still forces exposure compromises under extreme lighting

Best Suitable For

• Landscape, architecture, and real-estate photography

• Travel and urban photography using wide-angle

• Videographers needing high-quality wide zooms

• Wedding and event shooters capturing wide environmental shots

• Sony full-frame users (A7, A9, A1 series) needing a pro-grade wide zoom

Why Buy from Pooja Electronics

• Genuine, brand-new Sony product — no grey imports

• India-based warranty, servicing, and spare parts support

• Fast India-wide dispatch and reliable logistics

• GST invoicing for professionals and media agencies

• Expert camera and lens guidance, not just sales

Technical Specification

FAQs

Q: Is this lens worth upgrading from the original 16-35mm GM?
A: Yes — the II version improves distortion control, reduces weight, and provides more uniform sharpness and better handling.

Q: How sharp is it at f/2.8?
A: Very sharp — LensTip measured >60 lp/mm even wide open, and performance evens out across the zoom range.

Q: Will I see chromatic aberration or color fringing?
A: Very minimally — the lens corrects longitudinal CA so well it’s nearly invisible in real-world use.

Q: How’s it for video use?
A: It’s video-friendly: de-clickable aperture ring, minimal focus breathing, smooth AF transitions, good coating and low flare.

Q: Does it vignette or distort?
A: Some vignetting and distortion are expected in wide-angle zooms, but this lens handles both better than many peers and often auto-corrects well in-camera or in post.

Q: Can I use filters with this lens?
A: Yes — it has a standard 82 mm filter thread, so you can attach CPL, ND, or UV filters.