Sony a1 Mirrorless Camera

Sony a1 Mirrorless Camera

The α mission
The α mission is to give creators the power to realise their dreams. The α1 is its most potent expression to date.

50 MP at 30fps
The latest Sony technology delivers unprecedented speed and resolution for new creative possibilities and workflow.

Resolution and speed
50.1 megapixels at up to 30 frames/second
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1-MP sensor allows continuous bursts at up to 30fps with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.

Blackout-free for an uninterrupted view
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated to minimise latency during continuous shooting.
(A) Blackout-free shooting (B) Shooting with blackouts

120 AF/AE tracking calculations per second
Fast sensor readout enables 120 AF/AE calculations per second, even during 30fps bursts, for pinpoint AF tracking precision with fast and erratic subjects. AE latency is less than 0.033 s.
(1) AF/AE calculations (2) 60 times/s (3) 20 frames/s

Silent, vibration-free shutter
A silent electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.\

Anti-distortion Shutter
Fast sensor readout minimises still-image distortion when using the electronic shutter. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
[1] Conventional electronic shutter [2] Anti-distortion shutter

Flicker-free electronic and mechanical shutters
Another world-first: flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Anti-flicker [1] OFF [2] ON

Full-frame stacked 50.1-MP Exmor RS™ CMOS sensor with integral memory
A stacked architecture in this back-illuminated 50.1-MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.

All-new architecture and BIONZ XR image processing engine
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power. The result is outstanding image quality as well as improved camera interface response.

Advanced flash features for broader expression
Flash sync with electronic shutter
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.

Dual driven shutter drive for flash sync up to 1/400 s.
The world’s first dual driven shutter system allows flash sync up to 1/400 s., making it easier to capture dynamic action, and opening the door to new creative possibilities.

Stunning detail
Breathtaking resolution and image quality
The new 50.1-MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops of dynamic range. A new image processing engine achieves even better colour accuracy than previous models.

Wide ISO 100–32000 sensitivity range
Despite the sensor’s high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO 100–32000, expandable to ISO 50–102400.

Pixel Shift Multi Shooting
Up to 16 images shot with precise in-body image stabilisation control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, colour, and atmosphere.
[1] Normal Shooting [2] 16-image Pixel Shift Multi Shooting

Creative Look supports varied expression
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of “looks” that can help creators fine-tune the mood of their stills or movies in-camera.

5-axis optical in-body image stabilisation for a 5.5-step advantage
A precision stabilisation unit and gyro sensors plus the latest image stabilisation algorithms deliver a 5.5-step shutter speed advantage, maximising the quality of high-resolution images.
[1] Yaw [2] Pitch [3] Roll

Unrivalled auto focus
Real-time Eye AF for birds
High-level subject recognition technology now makes it possible for Sony’s Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography.

Improved Real-time Eye AF for animals
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes. It even works if the animal’s face is upside-down.

Real-time Eye AF
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.

Real-time Tracking
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.

Wide, fast, precise AF tracking
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1-MP sensor and BIONZ XR engine provide 759 selectable phase-detection points covering about 92% of the image.

New movie potential
Next-generation 8K 30p recording
The new image sensor and BIONZ XR engine in the α1 deliver 8K(7680×4320) 30p movie-recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing. 8K 4:2:2 10-bit recording is available as of α1 Ver. 1.3, allowing more varied expression and high-level editing capability at 8K resolution.

4K movies at a high 120fps frame rate
The α1 supports high-frame-rate internal 4K movie recording at up to 120fps, for smooth, expressive slow-motion playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I) compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimise image distortion.

4K with full sensor readout, no pixel binning, and 5.8K oversampling
In the Super 35 mode, approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning, for beautifully imagery that is rich in detail.
(A) 2.3 times information

10-bit 4:2:2 chroma subsampling
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.

Real-time Eye AF and Real-time Tracking for movies
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.

S-Log for compatibility with pro cine cameras
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine colour spaces supported.

10-bit 4:2:2 HLG (Hybrid Log-Gamma) support
High-dynamic-range HLG movies support the wide-gamut BT.2020 colour space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
[1] High flexibility to fine-tune images as desired (colour grading required) [2] Instant high-quality image (colour grading not required)

16-bit RAW output
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.

Digital audio interface for superior sound
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.

Heat-dissipating structure for extended recording
A newly developed heat-dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes.

The cinematic S-Cinetone look
The α1 includes the same S-Cinetone colour matrix that produces beautiful colour and skin tones in the FX9, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights, responding to a growing need for more expressive depth.

“Active Mode” image stabilisation
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilisation highly effective for handheld shooting. It uses the BIONZ XR engine’s real-time processing capability to apply optimum compensation in all formats, including 4K. All of this is realised without compromising the compact size and mobility of the α system.

Advantages of Sony’s lenses for video shooting
Learn the four unique advantages of using Sony’s E-mount lens for video shooting. The combination of Sony’s lenses and cameras will enhance your video creation experience.

Control, reliability
High-performance electronic viewfinder
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time. It features 0.90x magnification with a 41° FOV for a clear, wide view, and an updated structure that results in a 25‑mm‑high eyepoint. A 240fps refresh rate with UXGA FOV is another world-first, for a clear view of fast action.

Panning shots with electronic shutter
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.

Seamlessly switch full-frame and APS-C formats
M and S size images have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
[1] Full Frame [2] APS-C

Separate settings for stills and movies
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies.

New menu structure
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.

Customisable functions
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies and playback.

Touch menu control
Touch-responsive main and function menus with menu tabs on the left of the display, and related parameter groups and parameters on the right, make for easy navigation and tracking control.

High-reliability mechanical shutter
Shutter vibration is minimised while allowing continuous bursts at up to 10fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles

Two CFexpress Type A-compatible media slots
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.

High-capacity Z-series battery for extended recording
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimise power use. Get more capacity with two Z batteries in the VG-C4EM grip.

Improved dust- and moisture-resistant design
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.

Durable magnesium alloy chassis
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.

Pro workflow
Industry’s fastest built-in Wi-Fi supports 2×2 MIMO
Built-in wireless LAN allows communication on the 2.4-GHz and 5-GHz bands, the latter with 2×2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.

SuperSpeed USB 10-Gbps (USB 3.2) Type-C® connector
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10-Gbps data transfer, making fast PC Remote (tethered) data transfer available for smooth handling of large files.

1000BASE-T Ethernet for fast communication
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.

Versatile FTP connectivity
FTP still and movie uploads as well as remote camera control can be accomplished via wireless LAN, fast wired LAN, or a USB-tethered smartphone. File types for transfer can be specified.

FTP transfer of still and movie files
Stills and movies can be transferred to a remote FTP server via wireless LAN, high-speed wired LAN, or a wired smartphone connection. Wireless data throughput is about 3.5x faster than the α9 II.

Versatile remote (tethered) shooting functions
The Imaging Edge Desktop “Remote” application can be used for PC Remote (tethered) shooting via a wireless LAN or wired USB connection. Remote control from a mobile device is also possible.

Lossless compressed RAW
The α1 includes efficient lossless compression in addition to compressed and uncompressed RAW.

New “Light” JPEG size
A new “Light” JPEG size setting results in smaller files than the “Standard” setting, allowing faster delivery for news and sports photographers who depend on speed.

10-bit HEIF for smoother gradations
HEIF format can deliver smooth 10-bit gradations for more realistic reproduction of skies and portrait subjects. Advanced compression reduces file size for improved workflow efficiency.

Specifications

• Lens
  LENS MOUNT
  E-mount
• Image Sensor
  ASPECT RATIO
  3:2
  NUMBER OF PIXELS (EFFECTIVE)
  Approx. 50.1 megapixels
  NUMBER OF PIXELS (TOTAL)
  Approx. 50.5 megapixels
  SENSOR TYPE
  35-mm full frame (35.9 x 24.0 mm), Exmor RS CMOS sensor
  ANTI-DUST SYSTEM
  Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)
• Recording (still images)
  RECORDING FORMAT
  JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
  IMAGE SIZE (PIXELS) [3:2]
  35 mm full-frame L: 8640 x 5760 (49.7M), M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M), APS-C M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M)
  IMAGE SIZE (PIXELS) [4:3]
  35 mm full-frame L: 7680 x 5760 (44.2M), M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M), APS-C M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M)
  IMAGE SIZE (PIXELS) [16:9]
  35 mm full frame L: 8640 x 4864 (42M), M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M), APS-C M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M)
  IMAGE SIZE (PIXELS) [1:1]
  35 mm full-frame L: 5760 x 5760 (33M), M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M), APS-C M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M)
  IMAGE QUALITY MODES
  RAW (Compressed / Lossless Compressed (L / M /S) / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light)
  PICTURE EFFECT
  –
  CREATIVE STYLE
  –
  PICTURE PROFILE
  Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
  CREATIVE LOOK
  ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
  DYNAMIC RANGE FUNCTIONS
  Off, Dynamic Range Optimiser
  COLOUR SPACE
  sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).2
  14BIT RAW
  Yes
• Recording (movie)
  RECORDING FORMAT
  XAVC S, XAVC HS
  VIDEO COMPRESSION
  XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
  AUDIO RECORDING FORMAT
  LPCM 2ch (48 kHz 16bit), LPCM 2ch (48 kHz 24bit)3, LPCM 4ch (48 kHz 24bit)3, MPEG-4 AAC-LC 2ch4
  COLOUR SPACE
  Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)5
  PICTURE EFFECT
  –
  CREATIVE STYLE
  –
  PICTURE PROFILE
  Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800%), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
  CREATIVE LOOK
  ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
  MOVIE RECORDING SYSTEM (XAVC HS 8K)
  7,680 x 4,320 (4:2:0, 10bit, NTSC) (Approx.): 30p (400 Mbps / 200 Mbps), 24p (400 Mbps / 200 Mbps), 7,680 x 4,320 (4:2:0, 10bit, PAL) (Approx.): 25p (400 Mbps / 200 Mbps); 7,680 x 4,320 (4:2:2, 10bit, NTSC) (Approx.): 30p (520 Mbps / 260 Mbps), 24p (520 Mbps / 260 Mbps), 7,680 x 4,320 (4:2:2, 10bit, PAL) (Approx.): 25p (520 Mbps / 260 Mbps)
  MOVIE RECORDING SYSTEM (XAVC HS 4K)
  3840 x 2160 (4:2:0, 10 bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps); 3840 x 2160 (4:2:0, 10 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps); 3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps / 100 Mbps)
  MOVIE RECORDING SYSTEM (XAVC S 4K)
  3840 x 2160 (4:2:0, 8 bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:0, 8 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps), 25p (140 Mbps)
  MOVIE RECORDING SYSTEM (XAVC S HD)
  1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:0, 8 bit, PAL) (Approx.): 100p　(100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps); 1920 x 1080 (4:2:2, 10 bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:2, 10 bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
  MOVIE RECORDING SYSTEM (XAVC S-I 4K)
  3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
  MOVIE RECORDING SYSTEM (XAVC S-I HD)
  1920 x 1080 (4:2:2, 10 bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps); 1920 x 1080 (4:2:2, 10 bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
  SLOW AND QUICK MOTION (SHOOTING FRAME RATE)
  NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps67, PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps67
  MOVIE FUNCTIONS
  Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 [6 Mbps], 1920 x 1080 [9 Mbps], 1920 x 1080 [16 Mbps]), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output (HDMI)
• Recording System
  LOCATION INFORMATION LINK FROM SMARTPHONE
  Yes
  MEDIA
  SD memory card, SDHC memory card (UHS-I/II-compliant), SDXC memory card (UHS-I/II-compliant), CFexpress Type A memory card
  MEMORY CARD SLOT
  SLOT1: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card
  RECORDING MODE ON 2 MEMORY CARDS
  Simult. Rec, Sort, Auto Switch Media, Copy
• Noise Reduction
  NOISE REDUCTION
  Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
• White balance
  WHITE BALANCE MODES
  Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom
  SHUTTER AWB LOCK
  Yes (Shut. Halfway Down / Cont. Shooting / Off)
• Focus
  FOCUS TYPE
  Fast Hybrid AF (phase-detection AF / contrast-detection AF)
  FOCUS SENSOR
  Exmor® RS CMOS sensor
  FOCUS POINT
  35 mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 759 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF)
  FOCUS SENSITIVITY RANGE
  EV–4 to EV20 (ISO 100 equivalent with F2.0 lens attached)
  FOCUS MODE
  AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus
  FOCUS AREA
  Wide / Zone / Centre Fix / Flexible Spot / Expanded Flexible Spot / Tracking
  EYE AF
  Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select)
  OTHER FEATURES
  Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point
  AF ILLUMINATOR
  Yes (with Built-in LED type)
  AF ILLUMINATOR RANGE
  Approx. 0.3 m—approx. 3.0 m (with FE 28–70 mm F3.5-5.6 OSS lens attached)
  FOCUS TYPE WITH LA-EA3 (SOLD SEPARATELY)
  Phase-detection
• Exposure
  METERING TYPE
  1200-zone evaluative metering
  METERING SENSOR
  Exmor® RS CMOS sensor
  METERING SENSITIVITY
  EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
  METERING MODE
  Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight
  EXPOSURE COMPENSATION
  +/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3 EV [1/3 EV steps])
  EXPOSURE BRACKETING
  Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
  AE LOCK
  Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
  EXPOSURE MODES
  AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)
  ISO SENSITIVITY (RECOMMENDED EXPOSURE INDEX)
  Still images: ISO 100–32000 (ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100–12800, selectable lower limit and upper limit), Movies: ISO 100–32000 equivalent, AUTO (ISO 100–12800, selectable lower limit and upper limit)
  ANTI-FLICKER SHOOT.
  Yes
  SCENE SELECTION
  –
• Viewfinder
  VIEWFINDER TYPE
  1.6 cm (0.64 type) electronic viewfinder (colour)
  NUMBER OF DOTS
  9 437 184 dots
  FIELD COVERAGE
  100%
  MAGNIFICATION
  Approx. 0.90 x (with 50-mm lens at infinity, –1 m-₁)
  DIOPTRE ADJUSTMENT
  –4.0 to +3.0 m-₁
  EYE POINT
  Approx. 25 mm from the eyepiece lens, 21 mm from the eyepiece frame at –1 m-₁ (CIPA standard)
  DISPLAY FUNCTION
  Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC
  FINDER FRAME RATE SELECTION
  STD 60fps / HI 120fps / HI+ 240fps
• LCD Screen
  MONITOR TYPE
  7.5 cm (3.0-type) type TFT
  NUMBER OF DOTS
  14,40,000 dots
  TOUCH PANEL
  Yes
  BRIGHTNESS CONTROL
  Manual (5 steps between -2 and +2), Sunny Weather mode
  ADJUSTABLE ANGLE
  Up by Approx. 107 degrees, Down by Approx. 41 degrees
  FOCUS MAGNIFIER
  Yes, Focus Magnifier (35 mm full frame: 4.2x / 8.5x, APS-C: 2.7x / 5.5x)
• Other Features
  PLAYMEMORIES CAMERA APPS™
  –
  CLEAR IMAGE ZOOM
  Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
  DIGITAL ZOOM
  Smart zoom (Still images): 35 mm full frame: M: Approx. 1.5x, S: Approx. 2x, APS-C: S: Approx. 2x, Digital zoom (still images): 35 mm full frame: L: Approx. 4x, M: Approx. 6.1x, S: Approx. 8x, APS-C: M: approx. 4x, S: approx. 5.2x, Digital zoom (Movie):35 mm full frame: Approx. 4x, APS-C: Approx. 4x
  FACE DETECTION
  Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
  SELF-PORTRAIT SELF-TIMER
  –
  OTHERS
  Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate
• Shutter
  TYPE
  Electronically-controlled, vertical-traverse, focal-plane type
  SHUTTER TYPE
  Mechanical shutter/Electronic shutter
  SHUTTER SPEED
  Still images, Single shot Mechanical Shutter: 1/8000 to 30 s, Bulb; AUTO: 1/32000 to 30 s, Bulb; Electronic Shutter: 1/32000 to 30 s; Still images, Continuous shooting Mechanical; Shutter: 1/8000 to 30 s; AUTO: 1/32000 to 1/2 s; Electronic Shutter: 1/32000 to 1/2 s; Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
  FLASH SYNC. SPEED
  (Mechanical shutter), (Flash Sync. Priority) is (ON) or (AUTO):1/400 s (35 mm full frame), 1/500 s (APS-C), (Flash Sync. Priority) is (OFF):1/320 s (35 mm full frame), 1/400 s (APS-C), (Electrical shutter), 1/200 s (35 mm full frame), 1/250 s (APS-C)
  ELECTRONIC FRONT CURTAIN SHUTTER
  Yes
  SILENT SHOOTING
  Yes (ON/OFF)
• Image stabilisation
  TYPE
  Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
  COMPENSATION EFFECT
  5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
• Flash Control
  TYPE
  –
  GUIDE NO.
  –
  FLASH COVERAGE
  –
  CONTROL
  Pre-flash TTL
  FLASH COMPENSATION
  +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
  FLASH MODES
  Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless9, Hi-speed sync.9
  RECYCLING TIME
  –
  EXTERNAL FLASH COMPATIBILITY
  Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatibility with the Auto-lock accessory shoe
  FE LEVEL LOCK
  Yes
  WIRELESS CONTROL
  Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
• Drive
  DRIVE MODES
  Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
  CONTINUOUS DRIVE SPEED (APPROX. MAX.)
  AUTO/Electronic Shutter: Continuous shooting: Hi+: 30fps, Hi: 20fps, Mid: 15fps, Lo: 5fps, Mechanical Shutter: Continuous shooting: Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps
  NO. OF RECORDABLE FRAMES (APPROX.)
  JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW and JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) and JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) and JPG: 78 frames
  SELF-TIMER
  10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
  PIXEL SHIFT MULTI SHOOTING
  Yes (4 shots / 16 shots)
• Playback
  PHOTO CAPTURE
  Yes
  MODES
  Single (with or without shooting information Y RGB histogram and highlight / shadow warning), Index view, Enlarged display mode (L: 21.6x, M: 14.0x, S: 10.8x), Auto Review, Image orientation, Folder selection (Date / Still / Movie), Protect, Rating, Display as Group
• Interface
  PC INTERFACE
  Mass-storage / MTP
  MULTI/MICRO USB TERMINAL
  Yes (SuperSpeed USB 10 Gbps (USB 3.2) compatible)
  BLUETOOTH®
  Yes (Bluetooth Standard Ver. 5.0 [2.4 GHz band])
  WIRELESS LAN (BUILT-IN)
  Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac [2.4-GHz band/5-GHz band])
  MULTI INTERFACE SHOE
  Yes (with Digital Audio Interface)
  MIC TERMINAL
  Yes (3.5 mm Stereo minijack)
  SYNC TERMINAL
  Yes
  HEADPHONE TERMINAL
  Yes (3.5 mm Stereo minijack)
  VERTICAL GRIP CONNECTOR
  Yes
  LAN TERMINAL
  Yes (1000BASE-T, 100BASE-TX, 10BASE-T)
  FUNCTIONS
  FTP Transfer Func. (Wired LAN, USB Tethering, Wi-Fi)., View on Smartphone, Remote control via Smartphone, One-touch NFC remote, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
• Audio
  MICROPHONE
  Built-in, stereo
  SPEAKER
  Built-in, monaural
• Print
  COMPATIBLE STANDARDS
  Exif Print, Print Image Matching III
• Print
  COMPATIBLE STANDARDS
  Exif Print, Print Image Matching III
• Lens Compensation
  SETTING
  Peripheral Shading, Chromatic Aberration, Distortion
• Power
  SUPPLIED BATTERY
  One rechargeable battery pack NP-FZ100
  BATTERY LIFE (STILL IMAGES)
  Approx. 430 shots (Viewfinder) / approx. 530 shots (LCD monitor) (CIPA standard)
  BATTERY LIFE (MOVIE, ACTUAL RECORDING)
  Approx. 90 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard)
  BATTERY LIFE (MOVIE, CONTINUOUS RECORDING)
  Approx. 145 min. (Viewfinder) / Approx. 150 min. (LCD monitor) (CIPA standard)
  INTERNAL BATTERY CHARGE
  Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
  POWER CONSUMPTION WITH VIEWFINDER
  Still images: approx. 4.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: approx. 6.8 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
  POWER CONSUMPTION WITH LCD SCREEN
  Still images: approx. 3.7 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: approx. 6.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
  USB POWER SUPPLY
  Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
• Others
  OPERATING TEMPERATURE
  32 – 104 degrees F / 0 – 40 degrees C
• Size & Weight
  WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
  Approx. 1 lb 10.0 oz, approx. 737 g
  DIMENSIONS (W X H X D)
  Approx. 128.9 mm x 96.9 mm x 80.8 mm, Approx. 128.9 mm x 96.9 mm x 69.7 mm (FROM GRIP TO MONITOR), Approx. 5.13 x 3.88 x 3.25, Approx. 5.13 x 3.88 x 2.75 (FROM GRIP TO MONITOR)

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